The show seeks to challenge this with its own version of a meaningful Pride campaign for Madolyn’s makeup company featuring drag queens of color. It makes an amusing and accurate critique about the corporatization of pride and how companies ostensibly show solidarity through meaningless, insipid and empty ad campaigns with equally vacuous slogans (think: “Love is love.”) Lest we forget, the origin of pride was angry - featuring tear gas, not glitter bombs, as people protested queer-targeted police violence in 1969. There are other ways the show has a mottled track record when it comes to how it deals with queerness. It is not muted or an afterthought, as “Glamorous” portrays it, which, again, is highly ironic given the show builds its world around challenging conformity and refusing to play it safe. The process of transitioning is one that, for me and for many of the trans siblings I’ve spoken with, includes a range of acute and intense emotions: grief, euphoria, terror, liberation. More than anything, I felt disappointed by the missed opportunity to do something thoughtful and meaningful around the transgender experience. But I attribute that more to a function of hardly seeing any representations of transitioning in popular culture than a reflection of this being a moving representation of transness. We learn of it after her co-worker finds a Callen-Lorde business card - an excellent shoutout to one of the nation’s leading gender-affirming health care centers - in Marco’s desk (we’ll overlook the huge privacy violation).Īnd while it's great that the show did sort of work it in, real allyship on the part of the show creator and producers would have been fully rewriting the character as a trans woman so Miss Benny didn’t have to play someone using he/him pronouns - even wearing men’s clothes sometimes.įull disclosure: I wept so loudly in the last few minutes of the show that I woke my dog up from her nap. But, while Marco is obviously gender-nonconforming, the audience is only explicitly introduced to her transness in the show’s final minutes.
Miss Benny expresses humility and gratitude in their willingness to do so.
Miss Benny explains in her op-ed how she made the courageous decision to tell the show creator and executive producer about her transition and asked if this could be incorporated into the storyline.
SYMONE DRAG QUEEN SAY THEIR NAME FREE
But its two-dimension storyline ironically creates a microcosmic play-it-safe version of itself - the show fails to actually break free of the very same dynamic it purportedly challenges and deconstructs in order to make way for something braver, bolder and more authentic.
SYMONE DRAG QUEEN SAY THEIR NAME SERIES
This is partly what makes the series a fun, mindless and sometimes joyous watch. “Glamorous” is absurd in its campiness as much as it is in its story and character development, such Marco being hired by Madolyn almost immediately after they meet at a department store where Marco works Marco suddenly being thrust into a role where the future of Madolyn’s empire rests on Marco’s shoulders people exacting revenge using glitter bombs and Madolyn’s ripped, gay son, who works for her company, constantly working out in his office sweaty and shirtless because, why not?
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